Archive for 'Writing'

Health Intro

by Allison Roberts

“You need to restructure your thinking on aging.” This statement from my therapist. I go in to see him, for what I refer to as, “tune-ups,” from time to time. And this is one of those times.

I recently found out I have arthritis in my neck, which finally explains the pain I’ve been feeling for the past five years, and the sometimes impossible rotation of my head while trying to back my car out of my driveway. The diagnosis is good news on the one hand—at least I have an answer to my pain and stiffness—but on the other hand, it also brings up a whole slew of issues and emotions I’d rather not get involved with.

Isn’t arthritis what “old” people get?

For crying out loud, I am only 45 years old, and very active. I am what some people refer to as “an adrenaline addict.” I love the high of working out. I have been working out—rather hard—since I was 22. Running, aerobics, weight lifting, hiking, biking—you name it.

I have pretty high standards for myself. I realize. And that makes life both more interesting because I push myself to do more, but it also leaves me feeling stressed when I am unable to accomplish a goal. (I should find a cure for cancer, stop world hunger, AND have abs of steel; don’t you know?) But in reality, I have a sore left knee, aching hip flexors, and a neck, which at times is about as flexible as steel cable.

The arthritis diagnosis comes at the end of a very hard year for me: I lost my mother to brain cancer, my sister in law went through breast cancer and a mastectomy, my mother in law battled some pretty severe depression, and I watched my daughter enter High School. When did I become old enough to not only lose a mother, but also have a daughter in high school?  I look in the mirror and it ain’t all bad, but sometimes I’ll catch site of myself and think, “Who is that?”

Now let me add this to the scenario—and truly I hope I don’t sound too much like a whiner—but my husband is ten plus years younger than me, recently opened a *Crossfit and Brazilian Jiu Jitsu gym/school, was once a gymnast, is a brown belt (soon to be black belt) in BJJ, and is in terrific shape.

Hmm…are you grasping my line of my thoughts here?  Will he view me as a wimp when I can’t do a pull up now? Will he wish I could do double unders (double jump rope—in other words, rope goes under your feet two times in rapid succession,) and not just skip rope in a skipping fashion, like a little girl? Does he secretly wish my knee wasn’t wrecked so I could join him in the races he sometimes does for charity? And lastly, will he leave me for someone who is more athletic and, well, frankly, younger and more “spry?”

It is hard for me to admit that I cannot do some of the things I used to do. It pisses me off. I fight the negative voices in my head that tell me I am weak, vulnerable; unfit. I have been brought to tears in the gym, when I am trying to lift a weight over my head and I cannot do it without my neck rebelling. I get unreasonably enraged.

When I was a kid, I was very athletic. I was intensely competitive, especially with boys. I wanted to do whatever they did, and just as well. I had older brothers whom I wanted so much to emulate.  I wanted to prove that I was able to throw a football, kick a ball as far as any boy could, and lift a dresser and move it across the room. And I did all of those things, by the way, and rather well. I believed that boys had it better—had more freedom, more respect, and because they were physically stronger, they were better protected. This belief served me well as a child—kept me motivated, moving forward, and pushed me to excel. But honestly, it serves no purpose anymore. Feminine strength is just as important as masculine…emotional strength, is just as revered (or should be,) as physical. It’s time to say bye-bye to the old voices, and make room for new ones.

So what is a woman, who views herself as athletic and in good shape to do, when she has to rearrange her work outs and her mind set? How do I rearrange my thinking to accept where and who I am right now?

Well I have a few ideas (and the list is growing!):

More yoga and different styles as well: Yoga is great for working the muscles without high impact pounding on the bones.

Increase my meditation practice: I always feel better when I do this, so why is it that I don’t do it more? I vow to do so.

Boxing: just because I think it’ll feel really great to slam into a bag, or someone’s target gloves—great release of tension.

A few series with personal trainers: to get not only individualized attention and focus on my level of ability and limitations, but also to learn various styles of exercises from a few more pros.

A discussion on psychotherapy: the benefits of having a support system, for overall emotional well being, looking at the taboo of seeing a therapist, and how psychotherapy has changed over the years.

Various diets: and when I say diets, I don’t mean necessarily diets to lose weight. I mean diets that are geared toward specific results, IE: the blood type diet.

Workshops/retreats: health related—emotional, physical, and mental.

Discussions/interviews with people in the health fields: dietitians, therapists, Yogis, body builders—you name it.

DVD exercise write ups: A chance to hear what I have experienced by working out in the comfort of my own home, and what I think of certain work outs.

All of this and more; which I will be sharing on a regular basis with you. You name it and I am willing to try it. So stay tune for a series of interesting, and insightful articles on all things “health.”

Pole Dancing

Feb. 9, 2011 No Comments Posted under: Rochester Magazine, Writing

poleedited

by Allison Roberts

Picture yourself hanging upside down from a brass pole. Imagine spinning around the pole, landing gracefully into a cute little pirouette, and flipping your hair back sexily. Take a bow. Now keep these images in mind, and add on the fact that you can lose weight and firm up as well; and you now have pole dancing exercise classes.

Located at 1000 Turk Hill in Fairport NY, is Xpolse dance studio. Xpolse’ houses 8 pole, some chairs, yoga mats, free weights, and a full length mirror running from one end of the room to the other; plus a male blow-up doll wearing a hat. (He does have a purpose and it’s not necessarily what you think…so behave).

Jennifer Dovidio, 27, is the owner of Expolse’. She started the company out of her love for dance (she has 15 years of formal training,) and the desire to be an entrepreneur. Jennifer also shared with me that she has battled with cancer, and that this experience made her realize that life was short, and that she needed to do what she loved.

Xpolse’ offers classes from beginner, intermediate, and advanced Pole dancing, to Lyrical Pole, Chair dance, Burlesque, Aerial Arts, Pole power, and Avenue of Exotica. Jennifer also offers personal training, workshops group parties; which include bachelorette, birthday, and Girls’ Night Out.

“Probably the number one reason why people do pole dancing is because it makes them feel good. It boosts women’s confidence, and allows them to feel comfortable in their own skin,” Jennifer explained. “But it’s also a great core, upper and lower body work out as well. Women who do this regularly see great changes in their bodies, and some of them use the skills they’ve gained to do something special for a significant other at home.” (Wink, wink, nod, nod).

The class I attended was basic beginner pole dancing.  The women attending were a mix of ages—from late 20’s to early thirties. I asked Jennifer what the average age range was and she said that summer classes tend to fall on the younger side, but that during the school year, the highest concentration of women are either in their late 20’s or mid 40’s, with the smallest age range being 30’s, and the oldest, 60.

The poles at Expolse’ are bolted in to the floor and the ceiling. They are brass and about the thickness of a fat flag pole. I positioned myself directly in the front row, not because I wanted to, but honestly I didn’t realize there was a front row. Shoot. Now not only did I have to look at myself in the mirror, but whether they wanted it or not, the women in the back row, had a clear and personal view of my buttocks. Great.

We started with shoulder, neck, and leg stretches, and then moved into some basic pole positions, including launching ourselves around the pole, in ways that I suspected if you weren’t stabilized, might dislocate your shoulder.  Some of the moves were pretty challenging. At one point, we had to hook our dominate leg around the pole, holding the pole with both arms, and launch around the pole, bringing the opposite leg across and into position of the leg you’d originally had. Somehow we wound up on the other side of the pole, and bowed sexily; while trying not to hit our heads on the pole or our knees.

The moves we covered were: the Wrap Around, Wiggle Down, Body Wave, and Pirouette. Then we ended the night with about five moves choreographed together into a little dance number that my husband probably would have enjoyed tremendously if he could have seen it. The dance consisted of a lot of wiggling of our dairy-airs, walking slinkily around the pole, a few spins, some floor hugging, and then sliding down the pole backwards, landing with our toes pointed out toward the mirror and our legs crossed into a sexy little squat.

I had a blast. No kidding. I even signed up to take the last 5 sessions! Oh, and by the way, I asked Jennifer what the blow up doll was for.

“Mostly he is for the girls who come in for a Bachelorette party to take pictures with. Plus, he’s sort of handy during the lap dance class. He is special for the bride and she gets to practice with him.”

LOL!

Hoop Dreams

Feb. 9, 2011 No Comments Posted under: Rochester Magazine, Writing

Fun fitness?

Life’s too short to be bored by your workout.

RM_Nov10_Allison-1edited


by Allison Roberts

You set your routine, you start out strong, you’re sure nothing can stop you.

But something happens on the way to fitness bliss. You get bored, not buff. And who can do leg presses while stifling a yawn?

To help find ways to banish the doldrums, we searched around town for some places where people were working up a sweat and a smile on their faces.

In a three-part series, we’re trying them out to see if we can find the sweet spot between working out and playing.

Hoop Dreams

Want to lose 130 pounds? Try Hula Hooping.

No really.

At the Downtown Fitness Club on Chestnut Street, Jen Moore teaches Hula Hoop exercise/dance classes. Last year at this time, she weighed nearly 300 pounds.

“I figured I was doomed to be fat,” she said. “I was fat my whole life. Then I tried hooping because I knew I was too big to run. Hooping was fun, and I didn’t feel like I was sweating that much.”

In a photo from a year ago, when she started her regimen of hooping and eating better, she looked like a totally different person.

The last time I tried Hula Hooping was not when I was 8, as you might expect, but when my daughter was about 8. I stunk at it. So when I found out the Downtown Fitness Club offered Hula Hoop exercise/dance classes, I got both excited at the prospect of trying it and sort of nervous. What if I threw the hoop across the room and took out the instructor, or broke a ceiling light? Those hoops can get spinning pretty fast, you know.

But I went anyway. Really there was nothing to lose. At best, I might find a fun exercise that could actually help me stay fit. At worst, I could play with a Hula Hoop without having to pretend I was trying it out for a kid, like I have to do in Target.

I never thought of hooping my way to being fit. But Moore promised big things. She said the benefits of what she teaches are both mental and physical. Hoopdancing builds core strength, tones the entire body, provides cardiovascular workouts with low-to-no impact, increases energy and develops balance and coordination. Mentally, hooping clears and quiets the mind, generates joy and laughter and lifts one’s mood. Apparently you can burn up to 600 calories an hour—an average of 7 to 10 calories a minute. Also, hooping commands focus. You have to think about what you’re doing.

“In hooping, you can’t just unplug and disconnect from your body like you can when you get on a treadmill,” she explained. “So it’s great for people like me who were really big and therefore disconnected to their bodies; it forces you to reconnect.”

It all sounded good to me; so I took up an Aerobic hoop (a bit bigger than some of the others) and stood in the back of the room. Three other women were also attending—one older than me and two younger—plus Moore. It was nice and comfy in the room, and although the low ceilings were a bit of a hazard during some of the overhead spins, I felt comfortable and sort of “hidden” from the eyes of those in the weightlifting room (when you’re clinging to a big circle of plastic in a gym, it’s hard to look a weightlifter in the eye).

Moore started out by showing me two hip techniques: the “Pump,” which is where you propel the hoop around the waist on the horizontal plane, and the “Warrior,” where the hoop is swung back and forth over the hips vertically on alternating sides of your body—one foot facing the front of the room, the other behind.

I have no idea if the Hula Hoop Gods were in the room that night, but I got both of those moves down and the hoop stayed up. The way Jen explained how to move my hips was pure brilliance. I was suddenly “hooping!”

I was having fun, and I was extremely to be keeping the hoop up. But then I caught a glimpse of myself in the mirror. I looked like I was in the throes of a full-blown seizure while trying to keep the hoop moving. (I suspect the gracefulness and fluidity of hooping comes after more time and practice).

We ended the night by doing a few other moves: the “Halo,” where you twirl the hoop on a horizontal plane above your head with one hand, and the “Swish,” where you use one hand to keep the hoop spinning in front or alongside your body.

I did hit the ceiling once. And my hoop flew out of my hands twice during the Halo, knocking over my neighbor’s hoop pile and water bottle. But other than that, I didn’t give myself—or anyone else—a black eye.

Weeks later, I ran into one of my fellow hoopers from the class. She said to me, “Were you sore the next day? ’Cuz you’re obviously in
shape and so if you were sore, I don’t feel so bad for being sore.”

I laughed out loud and said, “Yes! My God! I was sore. My shoulders were killing me!”

My hand felt a little sore, too, the next day from spinning the hoop around it, and so did my abs. That made me think my core was probably sufficiently worked out, and I did break a sweat during class. Just as important, I laughed a lot during the workout.

It takes time to get proficient at anything new, so the class challenged the perception I had of my abilities. But I realized that’s just fine.  I’m not going to be a professional hooper, and I can live with that. That actually might be another advantage of this sort of exercise: There’s not much pressure to excel, so there’s less in the way of having fun.

Plus, now I know my hips can still move when they need to—like the next time I’m invited to an 8-year-old’s birthday party.

Hoop classes are also held at Goddess Hour, 1470 Monroe Ave. in Rochester (224-0277; www.goddesshour.com), and Victory Fitness Center, 4 Elton Street in Rochester (370-2480; www.victoryworkout.com). For information on Jen Moore’s classes at Downtown Fitness Club, call 756-4090, visit www.downtownfitnessclub.com or search for RocCityHoopdance on Facebook.

- Allison Roberts, founder of EstroFest comedy troupe, is a local visual artist and writer.

In search of the right style for the right need.

yoga image2

by Allison Roberts

I know some people have a hard time getting off the couch to exercise. I wish I could sit on the couch and not exercise. For me, relaxing is the challenge, which is how I’ve come to earn my aches and pains (that, and reaching a certain vintage).

So I set my sights on yoga to see how it could help. My idea was to compare three different approaches to see how they might benefit me in different ways. Could yoga meet many of my fitness needs, from relaxation to exhilaration? Call me a downward-dog guinea pig on the quest to feeling better.

Power Vinyasa

Heated Power Vinyasa, which I tried at Midtown Athletic Club, takes place in a room that feels like a sauna. I immediately felt stifled by the heat, then sleepy and relaxed—so far, so good.

Men and women stretched and chatted or stared at the ceiling in what looked like meditation (probably they were just going over their grocery list). I sat down and tried not to groan too loudly while stretching out my neck. Immediately my cell phone rang, nearly giving the woman behind me heart failure.

More reasons to feel self-conscious: I then noticed a woman elegantly launched into a full-blown headstand, her legs in a full split. I’m in trouble, I thought. I tried to remember the last time I’d even attempted a headstand—now I remembered: never. My head hurt just looking at her.

Try not to worry. I said to myself. Everyone is where they are. You aren’t in bad shape and you don’t have to be a master yogi to enjoy the benefits of this class. Plus, you can get a smoothie after at their nice café.

As the class progressed, I realized I had done enough yoga to get by, though as we moved along, I certainly wound up in positions that challenged both my mental and physical stamina. A few times I wondered if I could maintain some of the poses, but that was part of the challenge for me, and if I needed to rest in downward dog for a few minutes, I did. I know when it’s OK to rest (you know, like when your thigh is shaking).

A woman next to me, at least 10 years my senior, was kicking butt. I felt an enormous sense of hope, watching her lock her strong legs and arms into various stances. In 10 years, I figured, I could still be in good shape.

By the end of the class, I was definitely sweating—especially doing a full bridge. It felt wonderful to be that hot, to feel my muscles straining to work and to feel that release from pushing myself. I knew that I would be sore the next day, and I was. But in a good way.

After the class, I asked our instructor, Randi Moss-Lattimore, how she got into yoga. “I was just like you—into all the high-impact aerobic classes and running—and then one day a friend of mine mentioned yoga. I was not interested, thinking it wouldn’t be hard enough. But I decided to try a class. Wow. I wound up crying through the class. Tears just gushed out,” she explained as I devoured my Chunky Monkey Protein shake smoothie.

As Randi explained it, yoga uses and then releases muscles, and along with that comes a release in emotion: “The things I need to work on—aside from the physical—can be worked on through yoga because we hold our thoughts, feelings and emotions in our muscles, and moving our bodies gives us access to these areas.”

Restorative Yoga

Restorative yoga—as I experienced it at Full Circle Massage & Wellness in Fairport—is in many ways the opposite of power vinyasa: mellow, slow and serene. The Cheshire cat image you didn’t like? It just seems sort of non-descript now..or sort of expected imagery, like mellow slow serene without an image is sort of…expected or am I not making sense?….It uses some of the same stances and positions as other yoga, but it incorporates “props” such as pillows and foam blocks to help support the various positions so you can “relax” into them.

Even our instructor, Mackenzie Welch, exuded relaxation with her calm voice, starting us with meditation. It seemed to go on forever, and I kept waiting to get going. But, of course, the meditating was the “getting going”—settling our minds into the present.

All that relaxation is the opposite of what I usually look for in a class. It is not intense, I did not sweat and it is very low-key. Which, of course, is the point. As I let go of the idea of having to “do” something, I began to enjoy the process.

Throughout the class, Mackenzie quietly reminded us that we did not have anywhere to go except right where we were, and that it was OK to let go of all the stuff we were holding onto in our busy little brains.

My mind would return to the moment (back from ruminating on whether I needed to stop on the way home to buy toilet paper) and I’d be back in the room again.

By the end of the class, I was asleep on my back, snapping myself awake by suddenly snorting out loud (that’s really embarrassing, by the way).

But that’s also a clear sign of relaxing—especially for someone who normally takes Benadryl to fall asleep. On this day, yoga won against stress—can we cut this underlined sentence? I think it’s funnier to end with the Benadryl? (Am I a pain?)

Internal Yoga

Internal yoga is even more low-key, if that’s possible. I took the class at the Yoga with Estelle studio from Doug MacIntyre, who has been an instructor since 1989, when he originated Internal Yoga as a synthesis of hatha postures, breath work, guided meditation and affirmation.

Rather than focus on physical attainment, Internal Yoga works toward attaining a feeling of peace. MacIntyre touts the benefits of Internal Yoga as increased flexibility, improved balance and sleep, decreased anxiety and irritability, decreased back and neck pain and a better sense of calm.

The small studio was warm, light and inviting. We started by sitting on our mats, quietly focusing on our breath. Doug asked us to use our own mantra or the one he suggested: On the inhale, say “I am,” and on the exhale, “protected.” He added, “Think about how nice it would be if you didn’t struggle so much and fear so much.”

As we moved through the class, we very slowly went from position to position and were encouraged to go at our own pace. Doug suggested that if we struggled with a pose or felt any discomfort, we should rearrange ourselves—the point of the class wasn’t to be uncomfortable but just the opposite.

Now I know this might sound touchy-feely or crunchy-granola to some people. And the thought of just relaxing and not pushing myself? Please…But once I was able to accept that I wouldn’t be sweating and pushing in this class, I was able to immerse myself into it and accept it.

And even though my mind wandered at times, I was able to come back and focus on my breath. At the end, Doug invited us to wrap up the night by shaking hands or hugging our fellow classmates.

Now, I’m not entirely shy but I’m also not much of a hugger. Yet I ended up embracing everyone in that room. Talk about relaxed—I nearly melted into their arms and oozed onto the floor.

So how to compare? If I needed to silence my sometimes unkind internal dialogue, Internal Yoga and its focus on visualizing would do the trick. If I’ve worn myself out in a busy week, restorative yoga would revive me. If I’m tense from too much stress and worry, Heated Power Vinyasa would help me sweat it out.

Given my personal tendency to push myself, Power Vinyasa can be a great alternative to high-intensity workouts. I feel the start of a powerful addiction to Power Vinyasa forming—no doubt an addiction I’ll have to curb with some Internal Yoga down the line.

Allison Roberts, founder of EstroFest comedy troupe, is a local visual artist and writer.

Studios mentioned
Yoga with Estelle, 34 Elton St., Rochester, www.yogawithestelle.com.

Midtown Athletic Club, 200 East Highland Dr., 
Rochester; 461-2300 or www.midtown.com.
Full Circle Massage & Wellness, 220 Fairport Village Landing, Fairport; 388-6343 or www.fullcirclemassage.net.

Belly Dancing

Feb. 9, 2011 No Comments Posted under: Rochester Magazine, Writing

by Allison Roberts

Whenever I watched belly dancing, I’d feel a bit intoxicated by what I saw. When I heard it could be a good workout, too, I knew I had to try it.

I headed to the Goddess Hour in Brighton for a beginner class. Instructor Bethany Swank, who started teaching seven years ago when the Goddess Hour first opened, fit the part perfectly with her long flowing hair and that belly dancer’s body: voluptuous and graceful.

Many people would be happy to know the ideal type for this pursuit.

“In other countries, where belly dancing is revered, the women are bigger, fleshier and encouraged to let it all sort of jiggle,” Swank told us. “Their softer, fuller size reflects wealth, prosperity and fertility, so it is considered a good thing to have some meat to move around.”

But I stole a glance at myself in the mirror and laughed out loud. If what she said is accurate, I’d be considered dirt poor and infertile. (You know that song “Brick House”? Well I’m a “Straw Hut.”)

There were about 10 women in the class—of varying ages. Some of them wore a scarf with tiny bells sewn on, tied around their waists, which made noise while they danced. (I wanted one of my own). We started class with stretches, then moved into basic arm and hand movements—keeping our fingers in “belly dance” form: middle finger slightly touching thumb. From there, we worked the hips and belly in clockwise circles. We moved our chests side to side and then up to the 12 o’clock position, over to 3 o’clock then down to 6. We also got our hips wiggling and jiggling in ways they just don’t go under any other circumstances.

One move—undulation—was especially tricky because we had to stick our chests out at 12 o’clock while also jutting our pelvis forward and squeezing our buttocks. In slow motion the move is awkward, but when sped up it becomes a kind of body roll or wave. Done correctly, the move is graceful, sexy and smooth. I had a hard time getting all of the body parts to do what they were supposed to do, when they were supposed to do it. For a while, I’m pretty sure I looked like I was trying to dislodge a hairball.

Next we did “snake hands”—a slow-moving shimmy with our shoulders first, then stomach, while our arms moved slowly up the sides of our bodies. Then we picked up the shimmying pace until I felt a little motion sickness. The combination of moving one body part quickly while keeping the rest moving slowly was hard to maintain (think of rubbing your belly while patting your head). But again, when done correctly, the move is cool looking.

I could feel my abs working pretty steadily throughout the class, and also with the amount of arm movements we were doing—the shoulder shimmy for example—my shoulder and arm muscles received a pretty intense workout.

The benefits of belly dancing are both physical and emotional, says co-owner Michelle Charles. “Belly dancing increases muscles in the core, and it’s actually really great for preparing women for childbirth because it works the pelvis and stomach muscles. Belly dancing has great aerobic benefits if you stick with it—and because you’re having fun, it doesn’t really feel like exercise.”

But the emotional benefits seemed most intriguing. “Women often end up making the closest friendships they’ve ever had in our classes,“ Charles told me. “One of our students is 72 years old, and she has become very close to some of the other women in her classes who are in their 30s. These women might not have had the opportunity to get to know one another under another condition, but because of belly dance class, they have made a tight bond that has lasted more than six years.”

The Goddess Hour itself is the product of two women bonding: Charles approached Connie Thornton with a business proposal. “Connie was a scientist for like 30 years,” Charles explained, “and then got laid off. I was a marketing director and could not keep up with the intense hours—I had a toddler. At the same time, Connie and I were both teaching Belly Dancing independently at other studios. I approached her with a business plan and three months later, we opened the Goddess Hour.”

They have more than 200 students come through the studio a week—all there for different reasons; some for the exercise and some for the friendships that develop.

“I have had students come through who are recovering from cancer who, while still wearing their head scarves to hide their bald heads, wind up feeling sexy again,” Charles said. Divorced women have told her that the classes freed them and allowed them to find their sensuality again.

The class wasn’t doing anything for my sensuality—maybe because I hadn’t mastered the moves. But I was certainly having fun. Before closing out with stretches, we spent some time focusing on choreographed dance steps that would eventually become a full dance routine. We worked to a song recorded by a female Middle Eastern singer with a lovely hypnotic voice. The song, we learned, told the story of a belly dancer who, while dancing in a crowd, notices an ex-lover in the audience. He had hurt her, so she is angry with him, but she’s also very proud because she’s got it going on in the belly-dancing department. While dancing, she proceeds to move in ways that makes him ooze with jealousy.

The vocals and beats in the song were intense (even if I couldn’t understand a word she was singing). If I had known what I was doing—could swing my skinny hip out and have it mean something—I think it would have been a powerful little number. It never hurts, though, to have a goal. Learn a belly dance that can ruin a bad ex-lover’s day? That wouldn’t be half bad.

Over the course of the last three issues of this magazine, I’ve reported on my quest to find fun fitness in the form of three pursuits—belly-dancing, pole dancing and hula hooping.

Before I wouldn’t have thought of them for exercise, yet all three turned out to be good workouts. I broke a sweat in each one, was at least somewhat sore the following day and—most important—I challenged myself not to rely on the same old familiar workouts.

Having said that, this also means the classes challenged my perception of my abilities. And that’s an occupational hazard of trying new routines—one that shouldn’t actually discourage anyone. In some cases I was better than I thought I’d be; in others, not as much. And frankly, that’s just fine. I am not going to be a professional hooper, but at least now I know that if invited to an 8-year-old’s birthday party, I can hoop with the best of them.  I may not be able to hang upside down on a pole, but I managed to do the “Fireman spin” with some dignity—and I only wound up with four bruises. While belly dancing, I may not have looked immediately graceful, but I successfully shimmied and did not elbow any of my fellow dancers in the rib. Sometimes it’s the simple successes we have to focus on.

Allison Roberts, founder of EstroFest comedy troupe, is a local visual artist and writer.

Rochester Magazine, April 2010

me n mom

A Mother’s Day salute to what only a mom can teach.

by Allison Roberts

My mom had her share of hard times and letdowns, but she always insisted on living her life the way she wanted to. It meant she wasn’t always popular, because she said what she thought. But she lived with the consequences, including divorce, with no regrets.

Admittedly, there was a time in my life when I wanted her to take a more conventional road. When I was 14 and had to hand food stamps to the cashier, I felt if my mom had been different, we would have had more—a house with a pool, more than two pairs of new Levis, vacations that did not include a tent and bug spray. I wanted my mom to not hang her nude figure drawings up in the kitchen. I wanted my mom not to sing at the top of her lungs in the living room in front of my friends. I wanted my mom not to tell people how she really felt. Mostly though, I wanted her not to scare my friends.

As it turned out, my friends liked my mom—singing like a banshee or not. I learned a lot from my mom. I gained her entrepreneurial spirit, her artistic abilities (along with my dad’s), her poor vision (thanks a lot, mom), her refusal to live life in a way that didn’t reflect her interests. Unfortunately for my own daughter, I also learned to sing at the top of my lungs in the living room.

My mother did what she wanted, but she also encouraged others to do the same. She made sure that if my two older brothers or I had an interest in something—no matter how small—she would support us. My brother Paul was always fascinated by nature, animals and the outdoors. When Paul was 8, my mom did more than just sign him up for classes in archeology at the Rochester Museum and Science Center. She arranged for Paul to meet with the director of the department so he could ask any questions he had. My brother Mark was always an electronics fanatic. When Mark was only 3, my mom let him set up “shop” in our basement, knowing it meant the innards of clocks, lamps and electronics would be strewn across his “workstation.” And she told me that from the time I was 2, I was drawing. So she would put me in my high chair with reams of paper to “draw” on. Later in life, she introduced me to numerous people in the arts and proudly displayed any and all of my artwork throughout the house.

I remember knowing with absolute clarity that I could go to her for just about anything and that she would have some solution for me. When I was around 10, my boobs suddenly hurt. I was absolutely certain I was going to die. My mom hugged me and said, “Honey, they’re just growing. Welcome to the club.” I remember how when I wanted to cut my hair short so I could look like a boy, she cut it off for me. She didn’t seem at all concerned when I went through a phase of taking my shirts off because boys didn’t have to wear them. When I was 7, I watched a 6-year-old black girl get verbally abused on my bus. I am proud to say that I stood up for her, but I am also quick to point out that my action was a direct result of my mother’s beliefs—never discriminate and always step in, even if it’s really hard and not popular. She invited the girl and her mother over. No one else in the neighborhood would.

More importantly, though, I knew deep in my bones that my mom had my back. When my junior high school principal, Mr. Merins, announced that “I was such a loser I’d never graduate from high school, let alone do anything useful with my life” (an opinion I might have partially deserved), my mom told me that one day I would show him. And when I got on the deans’ list in college, my mom took my semester’s scores, held them up to the light of the window and said, “Let’s send this to Merins. And when you publish your first book, we’ll send him an autographed copy with dog poop smeared on the cover.”

My mom was an antiques dealer, and we had a shop in the front of our house for many years. I remember coming home from school after a particularly bad day to find this incredibly grand dining room set that had just come in on consignment. The chairs had ornately carved arms and a table that, when fully opened with all its leaves, took up the length of two of our rooms. My mom had decorated the table with a white cotton table cloth, a curvy silver candelabra— fully lit—and a fancy silver tea set (on consignment as well) which held steaming tea. On a small plate next to the tea set was an artfully arranged pile of chocolate chip cookies. We sat there—across this vast table—giggling while drinking tea and eating cookies. “I feel so important,” my mom said. I remember how suddenly it occurred to me that I had forgotten all about my bad day at school. “You are important,” I wanted to tell her and wish I had. Who else would have taken the time and energy to provide such a grand escape?

One warm spring day, while I was in college, she showed up out of the blue and announced that it was “Allison Roberts Day” and she was taking me out to lunch and to get a foot massage, just because. While I was attending RIT, she sold a few pieces of furniture out of our living room to help cover my tuition. I felt bad, as I knew she sort of liked that Tiger Maple dresser, but I had grown accustomed to finding pieces of furniture missing when bills were due. “Any port in a storm,” my mom used to say. She was, after all, the quintessential antiques dealer—and buying and selling was truly her elixir.

My mom told me once to wear red underwear; red is supposed to be a power color and ground you. She reminded me to pay attention to what people actually do, not necessarily what they say. She advised that if you have a really yucky feeling in your gut, listen to it. Once while driving, we had to pull over to the side of the road because we were laughing so hard we nearly got in an accident. My mom taught me to be kind and loving to animals and to people who are vulnerable and need help. And she taught me to say what I think and be ready for the consequences of speaking my mind, because the alternative—remaining silent—was never worth it.

I could go on and on. Instead, I will tuck these memories away inside me so I can pull them out whenever necessary. To honor my mom, I plan to live my life with as much integrity as I can (and I haven’t always done so, which pains me but reminds me to try harder). I will try to continue to do what I love and be present for my family and friends. And I will try to be a mirror for my mother—live my life in a way that would have made her proud. It is the least I can do.

Allison Roberts, co-founder of EstroFest comedy troupe, is a local visual artist and writer.

The Role of Eulogy

Oct. 14, 2009 No Comments Posted under: Other

Eulogies, it seems to me, are bits of glorious, colorful fabric, draped over death to mask its pain. I am searching for consolation of death—attempting to re-breathe life into the “gone one.”

Mom, I want to talk to you, but you’ve passed. I have this strong compulsion to tell you about my life, say silly things, and ask for your help. People, well meaning, urge me to talk to you anyway. “She will hear you,” they say. But I do not know where you are, and frankly; I do not entirely believe them.

But I want to believe them, so I try: through one particular window in my living room, I talk to you, as if for some reason you have chosen this window through which to communicate. More likely; my mind has made this window a symbol—a ritualistic place to go, in search of comfort. I stare at a tree outside this window and whisper to you. But I don’t hear you. Yet.

Doubt is my ally. After all, if I remain unsure, than I will not fall victim to the silliness of giddy naïve joy, or worse, blind faith. Constant questioning keeps me safe from disappointment. Or does it? I struggle against doubt now, as if it has become a useless emotion instead of the way I viewed it once, as intelligence.
I want to believe in something.

Perseverance can be a valuable trait, but only if you’re right. Otherwise, determination slips. Perhaps that is part of my problem: I have not tried hard enough to hear you. I watch through the window as the wind upsets leaves and scatters them across the sidewalk in various directions. They have no safety net, these leaves. They land where they may and dissolve eventually under snow. This is how I view trust: it is carried along on a rough and tumble journey; heading in various directions, with no real sense of belonging, and just when it seems to have settled somewhere, it dissolves.

I am not good at trusting. I know this. Life has such ethereal lessons and I want clear cut answers. The natural selection of untrue ideas, eventually fall away, but how do I find out the truth about death? Death in of itself is the ultimate truth, but there is no clear hypothesis to explain where you go when you die, only belief systems, words of comfort, or religion—all of which have merit, but leave me wondering: which is correct?

When I watched you inhale that long last breath, mom, I could not believe it. I sat staring at you, while you grew increasingly bluer, and kept wondering: where did you go? Your body was still in the bed, holding the teddy bear you’d had since you were four years old, but you—your essence—was gone. I sat for at least a half an hour, people coming in and out of the room, someone holding my hand, my brother’s voice near my ear, the hospice worker asking me if I was ready to leave, but I could not move. I could not stop watching you, with your blue hands, and your still mouth. I was waiting to witness you disappear, elevate, or dissolve.

When I kissed your cheek, you were cold and hard, and I worried that you would be afraid when the Coroner took you away on the stretcher. Unable to bear watching them take you, I left before they arrived; feeling like I’d betrayed you somehow.

Yet, that’s silly, isn’t it? You were dead. You didn’t know. Or did you? I could not feel your energy, but it had to have gone somewhere….the hospice worker asked me if it was different than what I’d expected; the watching you die, but what could I say? What did I expect? I don’t know. I have no idea.

I should have perused science as my career. With its clear concise outcomes, and its data to prove its theory, I would be in sheer heaven—working in the bliss of knowing. A scientist is impassive after all—he cuts his losses and moves on to something else. But I am an artist. My losses are what make my art.

And I am the biggest walking paradox I know. Is it not the job of the artist, in part, to show others what they cannot see, feel or believe? How is it that God eludes me so, when I paint what I don’t even understand? How is that I have such a lack of faith, when nearly every time I hold a paint brush in my hand, I have only a vague idea of what will come from it and where I am going with it? Isn’t painting trust? Isn’t the mere act of all art a leap of faith?

I can recall with spectacular detail those I value the most. The words they said, what they wore, or the places we’ve been. I would rather have a photographic memory for numbers though, not feelings or landscapes, or faces. There is a technique for memorizing digits. You can learn how to do it from a book. In some contexts, see, numbers don’t cause pain. But the only way to release experiences and love is through art. So I am stuck: an artist wishing to be a scientist.
I want proof. I want to feel your hand on my temple, rubbing it the way you did when I was young and had a headache. I want to feel a burst of wind blow my hair back—an unarguable sign of your presence—or a strong, clear undeniable voice saying, “yes?” as I stand at my window and shout, “mom?”

I want truth, but truth, if it is not mathematical or scientific is malleable, so all that is left is faith. What it boils down to is that all my opportunities are finite—I can’t live a million life times in this one—and inevitably death will find me too. Perhaps this is what scares me so—makes it so difficult to trust. If I had the ability to hold on to trust and its indefinable existence, than I’d come to realize that faith is nothing more than a choice.

The Bridge – Chapter Samples

Aug. 15, 2009 No Comments Posted under: Novel

Chapter twenty nine

Loni sits on the bridge with a joint hanging out of her mouth. The fact that at any moment a cop could drive by doesn’t appear to concern her.

Loud enough to shake pavement, Candy Lyod called her a slut in the Pizza Zoo parking lot the week before, and Loni just laughed.

“And proud of it,” she had shouted back, shaking her head in Candy’s direction.

She’s one of a kind. Of course I wasn’t inside her, but from the outside it looks easy to be Loni, or I should say Loni makes life look easy.

I study her as we sit on the bridge, encouraging old memories of the two us to resurface. Though it’s only been two years, one of my favorite memories of Loni took place during science class back in sixth grade.

We were seated at the same table, waiting for our turn to go up and touch the Electro static ball. A group of us were eating Jell-O out of the package, licking our fingers and dipping them into the powder, then sucking the Jell-O off.

We were admiring our bright red fingers when Loni—blonde hair, parted in the center and not quite clean—held up her fist and said, “My knuckles are as hard as a piece of wood and I’ll punch anybody in the face who doesn’t believe it.”

I watch her as she inhales on the joint, and shake my head. She looks over at me and grins, as if she can read my mind.

On these chilly fall days we make a point of hanging out on the bridge with the older kids. They don’t seem to care if we’re around. They often invite us over if they see us sitting on my front step.

There is nothing worse than being younger I’ve decided, and wish there was some way to speed up my internal clock. Loni is fourteen but I have four months until my fourteenth birthday.

Loni turns and straddles the bridge, as if she’s riding a horse. She hollers and yips, letting the joint cling to her purple lips, like Clint Eastwood with a cigar. Her Levi’s crease with every movement of her hips. I occupy myself by reading graffiti on the bridge.

“Do bongs” and “M.R. 76,” (which is Mick’s Masterpiece), “Barb was here!” and “sex is great,” among other sayings, are visible.

I laugh at some of what I read. A few blurbs I can’t understand, but no matter what else happens in Honuwka, I hope nobody ever paints over the bridge. As far as I’m concerned, the poetry of the bridge-sitters is going to make history someday.

We split the joint with Chris Rugby and Antose Barnes. Chris has a tendency to turn into a rock star when he gets high. I saw him on acid once and it wasn’t pretty.           “Goddamnmotherfuckingcocksuckingsonofabitchingpud.” Chris jumps up onto the top rail and sings, his feet slipping.

“Get a grip, Chris.” Loni backs off the curb and wipes her runny nose with the back of her hand. Chris begins air guitar playing as we walk away.

“He’s such a Dick-wad.” Loni whispers, as we head down Main Street. “I hate getting high with him. He belongs in a fuckin’ mental hospital.”

We’re off to Timble’s to steal candy, make up, and Binaca breath spray. Stealing is probably a bad thing, I think, hopping over a gutter. As a matter of fact I know it’s bad. But somehow, it’s become a pattern, like brushing my teeth or washing my face. It’s a hard habit to break. It seems to me that it isn’t a matter of if I’d stop stealing, but when.

“Ang,” I hear Loni say, from what sounds like the sky. “When we get there, I’ll block you while you steal the Binaca.”

“Me? I took it last time!”

“No, I did, remember?” Loni’s words sound like they’re coming from the inside of a cotton bin. “It was my turn last time. I remember because I thought Mrs. Timble was following me through the store, and I panicked and ended up buying a trial hair spray just to make it look good. Don’t you remember?”

“Okay.” I surrender, mainly because I can’t remember what she’s talking about and it seems too hard to try.

We pass the Hess station, where Anthony Ruffy worked before he stole money out of the cash register and got canned, and I start thinking about the bagel I had that morning, and how the cream cheese looked. It was very pretty the way it swished around in semi-circles, like a mini painting done with whip cream. My mouth waters. I’m hungry and scared because it’s my turn to steal the Binaca.

Stealing Binaca, in case you’re wondering, is a tricky process. The Timble’s keep it in the toothpaste aisle. Anyone with half a brain knows there’s no earthly reason for a teenager to go in that aisle without looking suspicious. And to make matters worse, Binaca—in its little white aerosol can—sits on the fourth shelf, which is a major stretch for anyone under five foot-five.

Being as high as I am, however, I plot out an elaborate plan. “Okay, here’s the plan,” I whisper to Loni. ”When I get inside Timble’s, I’ll say out loud that I have to remember to get a toothbrush for my sister, or my mom will kill me.”

Mrs. Timble is a nice enough lady. I bank on the fact that she probably wouldn’t want me killed. Plus, I don’t think she knows me well enough to know that I don’t have a sister.

“This way, it’ll look like I have good reason to be in the toothpaste aisle.” I look to Loni for approval but she seems to be drifting off somewhere else.

“Then after I snag the Binaca,” I continue, “I’ll say—out loud again—that it looks like they don’t have the right Mini Mouse toothbrush for Sally (my kid sister), who is very picky about her toothbrushes. See this way I won’t actually have to buy a toothbrush.”

“Brilliant,” Loni says, licking her lips.

“I’ve top myself,” I answer, so excited about trying it out that I don’t notice the yellow convertible VW bug cruising along side of us in the parking lot. Loni is already over by it, talking to the driver, who happens to be none other than Pier Bonham.

My legs go out from under me, and I stumble over the curb in front of Timble’s. My toothbrush idea suddenly loses its flare.

Usually the loss of muscle control, and complete mind-drain, is exactly the sort of affect Pier has on me. And although I have an immense crush on him, I avoid him at all costs, choosing instead, to admire him from a safe distance.

Loni hangs in his car window like a beggar. I can tell by the way her eyes are gleaming that she’s thrilled with the prospect of hooking us up. She’d told me more than once, that she was sick of hearing me blab about him, especially when I refused to “go for him.”

“Hey Angie, come here.” Pier looks at me with his piercing dark eyes and smiles. He is so evil looking, my bottom lip quivers.

I am not at all sure how long I stand on the curb in front of the store. As a matter of fact, I am not sure I am even standing at all. I may very well be lying flat on my back.

Loni grins her best “look what I caught,” grin. I want to kill her—wrap my fingers around her pale stringy neck and squeeze—but I’m tired suddenly, and find myself standing at the driver’s side window smiling in at Pier.

“Hey pretty lady, what’s up?” Pier holds up a Miller beer. “Want a sip?”

I take the beer and sip it. It tastes like cardboard. God, please don’t let me dribble this beer down the front of myself. Don’t let me puke, talk too much, or pass out. Fart, or say something asinine. Just let me get through this alive.

I can not think of one word to say. Weather is not a suitable topic for someone of Pier’s caliber, and he could care less about the fact that I’m hungry, or that Loni just got a new hair cut, or that I can remember sixth grade with more clarity than I’d like. I sure as hell don’t want him to know that I’m on the verge of stealing Pixie Sticks and gummy bears like some kid.

“I need some Binaca; that’s why we’re here,” I blurt, then immediately regret it.

Like he cares. Like Pier Bonham gives a rat’s ass about Binaca, or why I’m at the store. God I hate this.

“You want to go for a ride?” Pier again, looking right through my clothes.

Loni’s already in the back seat, popping open a beer, before I can part my lips. The coolness of the beer penetrates my hand, while I climb in the passenger seat, sending a chill straight down the back of my neck.

It’s so quiet in the car I can hear Loni swig on her beer. The air closes in on me and the dashboard waves hello. I take a deep breath, and catch the scent of pot, pine air freshener, and leather.

“Where’d you get the chipped tooth, Loni?” Pier drives slowly through town, shifting gears with a gentle tug. I crack my window open.

“My old man.” She hurls a breath-cloud on the window then draws a heart inside of it with her finger. “He tripped me in the yard when I was ten. He was shit-faced and don’t even remember doing it. I landed on a rock.”

I look at Pier to see his reaction but there doesn’t seem to be one. He slides one black eye in my direction and winks.

Pier begins talking again, but this time to John Testa, parked on the other side of us. One of John’s buff colored eyes has a piss yellow circle surrounding it—a left over bruise from some brawl. In his hand, hidden in a cast, is a half-empty beer.

I have no memory of arriving at the beach, or of how long we’ve actually been parked here. And it seems to me, as I look at John’s dirty fingers that he’s appeared out of thin air.

Picking away at the label on my beer bottle, I try to pull the paper straight off down the middle. I was informed once by Loni, that if I ripped the label anywhere outside of the two ll’s on the word Miller, it would mean I was horny. Horny. Horny. What a weird word. To be safe, I peel very slowly and deliberately, holding my breath with each tug.

“Give me some!” Loni’s voice, loud enough to jerk me out of my peeling marathon, hammers across the beach. I look in the back seat, but she isn’t there. I glance over Pier’s head, and see her standing near John’s truck, grabbing at his beer.

God, I’m alone with Pier Bonham in a very small car. His car. The car. The very one I watch drive through town, from my bedroom window wishing I were in it. Now I am. What if there’s something hanging out of my nose. What if, and this would really be the end, that zit on my chin is leaking? When did Loni get out of the car?

Pier adjusts the volume down on the Doobie Brothers, while I continue to pick at my beer label. The paper is wet from bottle-sweat and sticks to my fingers like snot. I try to wipe if off on my pants but it refuses to let go.

“You aren’t thirsty, Angela?” Pier points at my beer.

“No, yeah, I don’t know.” I take another sip, and give one last ditch-effort to lose the wad of soggy paper.

“Angie, Angie, Angie,” he sighs, “why do you always run away from me?”

His question makes me give up the battle with the label. I sit back and let the wet paper cling to my ring finger any way it likes.

He brushes my hair out of my face. A bolt of something more powerful than God, shoots through my legs. I grab the door handle.

“I don’t run from you.” I look out the window, planning an escape route. There is nothing out there but beach and grass and Loni. I squeeze my bottle so hard, it should crack. I want to go home.

“Yeah you do Angie.” He pulls my hand over and wraps it up in his. “It’s like you see me and you take off. Do you hate me or something?”

“No!” Hate him? Hate Pier Bonham? That’s a good one. “No. I, no. I, well, I’m shy.” I suck in on my lip and wait for him to kick me out of the car.

“Shy? Hmm. I like that answer.” His fingers slide across my knuckles.

I can hear Loni’s bark-like laugh rip through the atmosphere. I look past Pier to see John, playfully twisting her arm behind her back. She rolls over the hood of his car and smashes his cigarettes.

“Ah man, you smashed my butts.” John’s voice floats over Loni’s high pitched giggles, and sits somewhere in the back of my ears. I glance at Pier’s fingers.

“Whatcha thinking about?” Pier purrs in my ear.

“The lake,” I lie. “I was wondering why it turns itself over in the fall.”

“To clean itself; I guess.” He shrugs, trying to look in my eyes. “That’s what I like about you Angie, you notice things. I want to kiss you.”

Kiss me. Kiss me. He wants to kiss me. My mouth feels like an old sock. OH, SHIT.

“Yeah?” What a stupid thing to say.

“Yeah. Can I kiss you?” Pier runs his finger across my chin.            “Yeah.” My legs shake as he licks my teeth. He tastes like beer and pot.

“What’s going on in here?” Loni’s face fills up the window. She laughs and simultaneously drags on a cigarette.

“I need some air.” I internally thank Loni, and leap out of the car.

Loni throws a pebble at me and wiggles her eyebrows. I take hold of my ring finger, pinch the wet paper off, and flick it at her forehead.

“Shh,” I hiss at her. “Do not say one word.”

It’s hazy over the lake, appropriately, since nothing feels clear. I’m surprised to see the raft floating out in the swimming area. Usually, at this time of year, it’s laid to rest on shore by the pine trees. The red and blue ropes surrounding it bob around in the waves. The raft, itself, looks lonely.

Pier stands next to me, carefully sipping his beer, and looks out at the few boaters left, whizzing across the water. John lights up another joint and passes it to Loni, who snatches it up and sucks hard. I pass on it, knowing that as it is, I am going to have a hard enough time convincing my mother that I’m straight.

A police car lurches around the corner, and heads down the road toward us. It travels relatively quickly, kicking up gravel behind it. We ditch the beer under the car, toss the joint in the lake, and start to walk along the shore. The trooper slides up behind us and opens his door before he comes to a full stop.

“What’s up, folks?” I hear him yell, as he waddles toward us. His car door is left open and I can hear his radio. My heart starts racing, even though I don’t really believe anything will happen. It never does.

“Not much,” Pier says nonchalantly, “just enjoying the day.”

“Just enjoying the day, eh?” The trooper—whom I recognize as the infamous Trooper Belcher—grins. He pulls his belt up around his stomach.

“Not giving these two young ladies any alcohol are you?” I look at the place where his eyes should be, but can’t see anything in his mirrored sunglasses, except a distorted image of myself.

“These two?” John announces, waving toward Loni and I with a swing of his filthy cast. “Nah, they walked up on us. We were already here, shooting the breeze; we didn’t invite ‘em.”

I look at the lake and bite my lip so hard I nearly yipe. Pier says nothing. He intermittently kicks sand with his black boots.

“Okay then.” The trooper rearranges a wad of tobacco to the right side of his cheek, and smirks. “If that’s the case, just don’t throw any trash around.”

“Have a good day, officer” John waves. “Ya fucking asshole,” he whispers under his breath, as Belcher lowers himself back into the driver’s seat.

Belcher backs the car silently out of the driveway and waves one fat hand out the window. I watch the taillights as they disappear up Beach Road, forcing myself not to run after them.

Loni heads over to the car, presumably to get another beer.  She acts as if she hadn’t heard John’s remark about us not being invited.

And when I brought it up to her later that night, her only remark was, “Ah, he was just saying that so the cop wouldn’t think he was giving us any beers. Men are a bunch of fuckin’ chicken shits. They’d rather pretend they don’t know you than admit to what they really want.”

Her sneakers make small slip-tracks in the mud, as she walks toward the car. She leans in the back seat to snag a bottle, and shouts something over her shoulder. Her butt is in the air, on display, in case anyone is interested.

“Angie, will you go out to dinner with me sometime?” Pier grabs my elbow as we walks toward the VW. I stare at Loni’s footprints and the broken glass from John’s beer. “You know, a date.”

“I’m not allowed in cars yet.” I continue staring at the ground, as if he’d only asked me for the time.

I can’t go out to dinner with Pier. He’s Mick’s age—out of high school one whole year already—and besides, I’ve never been on a real date before. I can’t eat in front of Pier. I’d spill stuff down the front of my shirt, knock over my water glass, and say stupid things like, ‘boy this is good steak.’ My stomach would start hurting and I’d get diarrhea and spend the whole night in the bathroom. I’d have to lie to my mom in order to get out of the house at dinnertime, and since I’m not allowed in cars, where would Pier and I go? The Pizza Zoo? My mom would have a cow if she found out and ground me for the rest of my life.

“Well, maybe we can work something out.” Pier looks at John and makes some kind of “older guy” eye-signal.

“I gotta go.” I know I’ve blown it and I just want the humiliation to cease. “My mom will be wondering where I am.”

“I’ll drop you off at the bridge.” Pier opens the car door.

“No, that’s okay. I can walk.” I back away.

“Get in the car, Angie. I want to drive you home.” Pier snatches my sleeve, and pulls me toward the car.

“Better make it the gas station then, otherwise my mom might see me get out of the car.” I force a lump the size of a grapefruit down my throat and slide in the car, wishing that I could just shut up about my mother.

“I’m gonna ride with John, so he’s not too lonely,” Loni grins, leaping into his truck without even glancing at me. I will  her to look at me, but all I see is her mouth moving through the windshield of John’s truck, as he steers toward the road.

Pier is incredibly quiet on the ride back to town. I sneak a glance at his profile. He is dark, long, muscular, and terrifying. Half Italian, half Cherokee, his thick hair is so black it’s literally blue, like the illustration of Superman’s hair in the comic strip.

He pulls into the driveway of the Hess station and shifts into neutral. I work up the guts to look him straight in the eyes. Wrapping his long fingers around the gearshift, he smiles, and kisses my cheek.

“Stay out of trouble, Angie. I’ll be around.”

“Okay.” I stumble out of the car, and numbly walk to my front door. Okay. Okay? What a stupid-ass thing to say. Okay?

****

Lenny and Dana have reunited. And aren’t fighting. In celebration, Jim and I smoke a joint with them, split a six pack, and loiter around Main Street. The nights are getting pretty chilly, which is rather disheartening; since winter is a drag.

The pot smells wonderful mixed with the cool night air, and I inhale deeply as I walk toward the church. Lenny is virtually silent, as usual, while Jim chatters constantly, about the Violet incident, which happened the day before at school.

We were standing on the hill near the gas station after school, when Violet and Jim’s twin brother Jon—who have become an item—came up to join us. Jon decided, out of nowhere, to stick his hand down Violet’s shirt and fiddle with her tits. I was talking to Jim and when I turned around, Jon had his hand half way down Violet’s shirt, practically tweaking her belly button.

“What the hell are you doing?” I couldn’t believe my eyes.

Jon didn’t answer me. He just grinned and giggled, like a little kid who’d just found something he wasn’t supposed to have. Violet didn’t even flinch. He almost knocked her over trying to get her bra off, and she just readjusted her stance so they wouldn’t tumble down the hill.

“Violet, why are you letting him do that?” I screamed.

Violet shrugged. Lights on but nobody home.

“Jon, knock it off,” Jim said, his face rearranging color.

“Mind your own business, shit-head,” Jon said, tickling Violet in the stomach until she finally made a slight grunting noise. “She don’t care so why should you?”

“I care,” I said.

“Why?” Jon’s hand caught in Violet’s collar.

“Because it’s rude and disrespectful.” I wanted to punch him in the face so badly, my hands burned.

He shrugged again, but took his hand out of Violet’s shirt, and dragged her over to the store. I watched them cross the street, hand in hand, like the “All American couple.”

“Yeah, I still can’t get over that,” I say to Jim, as we come up on the church parking lot. “It’s like your brother was someone else.”

“He’s an asshole.” Jim snorts. “Everyone thinks he’s the nice, goody-goody twin, but the truth comes out eventually.”

“Fuck it.” Lenny flicks an ash off the joint. “If she lets him, she lets him. It’s none of our business.”

Lenny lives in a world where nothing really matters. He never invites anyone over to his house, or in to the space he occupies in his mind. To me, he’s like a flower garden surrounded by barbed wire. I told Dana that if she were especially lucky, there might just come a day when she could touch a petal, without getting her hand ripped apart.

Out of nowhere, Lenny picks up a rock and throws it through the church window, shattering one of the saints to shreds. I watch glass fall out onto the blacktop and crumble down in through the broken window. All I can picture is colored glass scattered inside all over the pews, like the windshield of Kevin’s car, and wonder what the minister will say when he walks in and sees it Sunday morning. I feel someone grab my arm.

“Come on Ang, move!” Jim and I run like the wind up Main Street.

We lie on our stomachs under the bushes near Lenny’s house, and watch for cop cars. Headlights stream by and we wait to see if any of them stop.

“What’d you do that for?” I ask Lenny, who rolls onto his back and stares up at the stars.

“Seemed like the best thing to do at the time.” He blows his warm breathe out into the frigid sky.

“Great.” Jim is still prone on his stomach, peering through the branches. “Next time, think of doing something that won’t get us busted, will ya?”

“I’m high,” Dana giggles from under Lenny’s arm.

“Good for you,” Jim says, “so am I.”

“How long have we been under this damn bush?” My neck hurts from trying to look through the branches, without being assaulted by a twig. I sneeze brutally. The leaves smell like frogs.

“I haven’t the foggiest,” Dana says, in a fake British accent, “perhaps hours but certainly not days.”

On the way home, which seems to last forever, Dana and I cut through backyards to avoid being seen out on the street.

The sky is pitch black, and neither one of us has our glasses on. Dana slams into a garbage can in the back of the post office.

“Shh. Jesus, Dana,” I turn to find her, holding onto her stomach, in silent, hyperventilating laughter.

I smack into a small structure of some sort, behind the house of someone I don’t know. I try desperately not to swear out loud as sharp stabbing pain shoots through my shin bone. I think I’ve run into an outhouse, and am about to ask Dana why someone would still be going to the bathroom outside, when I hear a growling noise near my feet.

There, directly below my legs, sits a black dog with brownish spots near its nose, and gunk around its eyes.

I head straight out onto Main Street—directly out under the street lights—and run until I land on my front porch. Dana laughs behind me, and pleads with me to slow down, but I don’t stop to wait for her.

“Now be quiet PLEASE. Stop laughing. I don’t want my mom poking around asking all kinds of questions,” I lecture Dana, as we slide in the shop. She giggles and trips over furniture.

We make a break for the stairs, and head to my room, where I hope to sober up. The best case scenario would be if my mother never came up at all, and we just shut off the lights and went to sleep.

My mom’s ears are like those of a search and destroy police dog however, and within five minutes, we hear her creaking up the stairs.

“Go sit on the bed and open a book.” I grabbed Dana’s arm and pulled her toward the bookshelf. “And don’t laugh.”

I browse through my albums, concentrating on putting them in alphabetical order. This should look normal.

“Hi, girls. How was your night?” My mother balances her elbow against the doorframe.

“Fine.” I glance at her, and coolly walk toward my record player. Having picked out 10CC, I gently place it on the turntable, letting the needle hover over the record before placing it down.

My hands don’t work. I knock the needle straight across the album, and it makes a noise similar to the one Mr. Parsons’ makes when he tries to clear the flem out of the back of his throat after dinner. To make things worse, I accidentally knock the volume button up with my palm. My spine tingles as the room rocks with music.

Dana giggles as I fumble around with the volume. And instead of just giving up and sitting down, I keep at it, skipping the album again. Dana explodes with laughter.

“Angela, would you come out here a minute please.” My mom backs out of the doorway. Shit, I’ve only been in my room for five minutes and already I’ve blown it. I glare at Dana.

Out in the hall, my mom doesn’t look at me. Instead she leads me into the bathroom and flicks on the light.

“Why are your eyes red?” She nudges the door out of the way and it bangs against the wall.

“What do you mean?” I look in the mirror. They are redder than the blood dots we spattered on the glass slides in science glass this year to study under the microscope.

“Look at me,” she says, and as I do, I lose my balance and stumble near the toilet. I decide the safest thing to do is lean against the sink, and as I do, I notice a little black curly hair stuck to the soap.

It looks like a backwards c. Revolted by it I glance over my shoulder to the shower, hoping to find something more pleasurable to concentrate on. My bottle of “Gee, your hair smells terrific,” shampoo, seems to waver—as if I am viewing it through intense heat.

“Are you high, or drunk?” My mom crosses her arms.

“High? Come on!” I look at her, then at the floor, catching sight of a black blob near the toilet. A scream starts at the back of my throat, and I feel the urge to leap up onto the toilet seat. It’s just a bobby pin however, and giggles rise in place of the scream. I bite my lip very hard and close my eyes.

“You’re acting weird, Angela.” My mom watches me intensely.

“I’m just really tired. Lenny drove me crazy tonight and I just need to sleep.” I stare her straight in the bluest part of her eyes.

“You can barely stand up, Angela. I think you’re more than just tired.” She looks disappointed. I want to crawl in a hole and rot. “What’s going on?”

“Nothing’s going on, Mom. Look I can stand up just fine. I swear to God.” I step away from the sink and drop my arms. Look Ma, no hands. “I’m fine. I promise. I’m just really tired.” I jiggle my fingers against my bare thighs. I long to climb into bed.

I might cry, and I might not. It’s hard to say. I don’t want to be sad. I don’t want to feel anything as a matter of fact. I just want to laugh. I want to be happy. I want to sleep.

“I know something’s up, Angie. You’ve got me really worried,” she walks away.

“Well don’t worry,” I say to the back of her head. “Nothing’s wrong. Ma!?”

Chapter thirty

Football season is rounding down. I’ve seen snow flakes and I can’t even remember what the sun looks like. The final game of the B football team is being played in a town called Levon. Honuwka doesn’t measure up to Levon in size, but their record is equal to Levon’s in wins. Honuwka is Levon’s last challenge.

Since Honuwka is too small to have a regular team, boys from ages fourteen up to nineteen are teammates. Pier Bonham is one of them. On a Friday night at Jim’s house, he walks right over to me, just as I am taking a big swig of Kool-Aid, and asks me to watch the Levon game with him and Mike Moran.

Disregarding the fact that it is going to take an act of God and a few good lies to get out of the house the day of the game, I say yes, wait for him to walk away, then spit my Kool-Aid on the ground.

As luck would have it, my mother is occupied with old friends the day of the game, which gives me ample opportunity to disappear with little suspicion. Over toast, I tell her that I am going to Jim’s to watch TV and hang out.

“Well have fun then,” my mom kisses me on the cheek and resumes filling out her grocery list.

I will not, under any circumstances run away, hide in the bathroom, or vomit on Pier’s sneakers. I will be an adult, I repeat to myself, as I head toward the school, where I am to meet Pier.

My stomach cramps when I round the Cherry trees and see him standing in the parking lot, surrounded by other players. I swallow once very hard, to keep my breakfast from walking up my throat, and talk my feet into moving.

Pier smiles when he sees me and waves toward Mike’s car. Mike has a black Trans Am, and I am going to ride in it all the way to Levon. Very cool.

“Hey, Angie-girl,” Mike nods. “Ready for some football?”

“Yeah,” I shove my hands in my pockets, and catch site of one of the other football player’s smirk at Pier.

Jim waltzes over to see me off. He stands a little ways off from the group, smoking. He grins at me, whenever I look at him, and wiggles his eyebrows.

“Knock it off.” I shove him.

“What?”

“You know what.”

“It’s time to move.” Pier comes up and pinches the sleeve of my jacket.

Jim waves, winks at me once more, and walks off toward his house, flicking his cigarette ash on the muddy ground. I want to run after him.

I get in the front seat with Pier and straddle the gearshift to avoid sitting on his lap. I can hear him breathing and the sound of his coat rubbing against mine. When we drive through town, I remind them that I need to duck when we go past my house. Mike fiddles with the radio and tells me my mother is paranoid.

I see the blue trim of my front door and am about to duck, when Pier leans over and blocks me with his body. His eyelashes are as dark as my bedroom at night.

I look down at his legs and stop breathing. Because he is wearing his football uniform, from the calf down, his legs are bare. Muscular, tan and hairy, they look like a man’s legs. He is at least six foot two—larger than Phil or my father—and there isn’t a single boy-like quality about him.

The ride to Levon is about thirty minutes and it is the most heavenly drive I’ve ever been on in my thirteen years of existence. Mike turns the radio on low and he and Pier talk about football and try to make me laugh.

“Treat her nice, Pier.” Mike frowns, pitching a beer cap at Pier.

“Just drive.” Pier pinches my side.

The sun is out and the sky is as blue as Loni’s eyes. I can’t wait to tell her about this. I figure I have her on this one. She’ll have no choice but to be proud of me.

“Whatcha thinking about?” Pier’s breath tickles the hair in my ears and I shiver.

“Nothing.” I smile.

“Nothing at all?”

“Nothing very exciting, just that I hope you win.”

“No problem,” Mike intervenes. “We’re gonna kick some ass!”

When we pull into the driveway of Levon Central school a group of people mill around the parking lot. Laurie Velps, Ellen’s oldest sister, stands near a huge tree with her boyfriend Heath, who also plays football for Honuwka. Sue Long stands next to her, smoking. Sue’s dating Rob Elmer, though I doubt it would last.

Glancing over Sue’s halo of blonde hair, I see Rob, sitting on the rear bumper of someone’s car, holding onto his helmet by its facemask. I run over to him the minute Pier helps me out of the car and grip his hand.

“Man, I’m glad to see you,” I say, not wanting to let go.

“Why? What’s wrong? Rob looks terrified. I forget how easily he worries.

“Nothing. Sorry. Just, well, you know. It’s good to see a friend…” I feel like an ass, so I let go of his hand.

When the players head over to the field to start the game, Laurie, Sue, and Amy Nichols go to sit in Heath’s car. I stand behind Mike’s car not knowing what one does at a football game when one’s not a cheerleader. I stick my hands farther in my pockets, and jiggle my feet around, looking for a coffee vendor.

“Come on, Angela. Come sit with us. It’s too damn cold out.” Laurie opens the driver’s side door of Heath’s Buick, and pulls the seat up.

Everyone smokes except me. From my point of view, Sue, who’s about eight inches to my right, has become nothing more than a hazy profile. Laurie tells incredibly funny stories from the front seat, glancing at me in the rear view mirror, while putting on make-up.

“I gotta pee.” Sue pushes one last puff of smoke out through her long thin nostrils. Her wild hair reminds me of the matting I saw once in a taxidermy shop, that they use to stuff dead animals. I stare at her and wonder if Rob likes her because of her uniqueness, or if he just thinks he’ll get to have sex.

“Me too.” Laurie smashes her cigarette out in the ashtray.

“I do, too.” I’d been crossing my legs for about twenty minutes.

We hadn’t been watching the game at all. Heath’s car is facing the school, not the field, and as I get out of the car, I see Pier for the first time, way out near the goal post. He looks enormous, looming over some of the other players. The game is half over, and I won’t have any idea what to report back to him if he asks.

“What!” Laurie pulls hard on the Levon Central school doors. “Well, shit! They’re locked! What jack asses thought it’d be a good idea to lock the school doors when there’s a football game! Don’t they know people gotta pee!”

Laurie walks around to the back of the school to search for an open door, while we wait in a pile near the metal fence.

“My back teeth are floating.” I lean against the fence and stomp the frozen ground. Laurie comes back around the corner, shaking her head.

“Nothing’s open!” she shouts.

“GREAT.” I look at Sue. “What’re we going to do now?”

She points at a building near the field, about the size of a garage, and painted the most hideous shade of green I’d ever seen.

“Oh, no way.” I glance around and see the players at Levon’s goal line, way at the other end of the field.

“There way out there,” Sue says, “and besides, we got no choice.”

I groan and quickly drop my pants. Squatting along side of Laurie, I can hear nothing but her laughter and the sound of a vicious stream of water gushing from underneath her.

“I always manage to pee on myself whenever I do this,” she giggles. “And for once I’d like to drive home without a soaking wet leg.”

Suddenly I hear yelling. Both teams have arrived on our side of the field, and they’re standing directly in front of us. I can’t tell if they have a clear view of us or not. Chances are pretty good they do though, since I have a clear view of them. I cut off the urine mid-stream, pull up my pants and race to the car, leaving Laurie and Sue laughing behind me.

“Game’s over.” Laurie crushes out another cigarette, and grabs the keys.

I turn around, and glance out the back window. The whole football team walks toward us. I hadn’t seen a thing. Pier is covered in mud—his helmet slung over his shoulder and his mouth guard swung in the wind. He is so beautiful, my throat closes.

“Hey, nice peeing.” Rob grins at Sue and slaps her on the rear end.

Oh my God. They saw us peeing, I say in my head; so many times I start to say it backwards.

“Came down the field and boom—there you guys were—butts everywhere!” Rob’s eyes are red. “What a nice sight after such a long game.”

God, why don’t you just take me now?

Everyone starts cracking beers open to celebrate. Honuwka won 20-12. I had no idea. Cigarettes and joints light up all over the parking lot. As the sun sets, the sky is on fire. Red, orange, and pink stripes streak across the horizon.

“Whatcha looking at?” Pier’s hands are dirty from the game and he moves them around in circles over the trunk of the car we’re leaning against.

“The sunset. It’s pretty.”

“Yeah, it is pretty.” Pier hands me a beer.

When we get back to Honuwka, Mike drives right past my house, a bit fast, and what seems to me, very determinedly.

“Where are you going?” I twist my head around just in time to see my house disappear behind me.

“Just to finish celebrating,” Mike smiles as he drives through town.

I swallow. A detour wasn’t part of my plan. I assumed I was going home right after the game. What do I do now? Mike swings into the Loon’s parking lot, and stops near the store. He turns off the ignition, fiddles with the radio, and lights up a joint.     Relax, Ang. They just want to get you high. If anything happens, you can scream and the Loon’s will hear you. If they were planning on raping you, why would they bring you to Jim’s house?

Jim’s bedroom light is on, and through the kitchen window, I can make out the soft haze of the stove light.

Each time the joint is passed to me, I inhale the tiniest amount, pretending to take in more. Mike and Pier talk about the game and the lake and the winter. The conversation is loose but empty, and I wonder if they’d be talking differently if I weren’t in the car.

It dawns on me, as Mike changes the radio station for the tenth time, that maybe they’d rather be out doing something different, with girls who understand football games, really love to get high, and aren’t 13 and a half years old. But they don’t take me home.

“We should go get some beers and park at the lake,” Mike says. “Stare at the stars, talk, ya know, celebrate. We won after all. We should party down!”

“What time is it?” I frantically stare at the dashboard for a clock.

“Around eight.” Mike shows me his watch.

“Don’t tell me you want to go home.” Pier winds my hair up in his fingers. “It’s so early.”

“It’s just that I’ve been gone all day, and my mom will wonder where I am.” I tug on the emergency brake and feel Mike tense.

“You think she’d get mad if you stayed out just a bit longer? Won’t she just assume you’re out with a friend?” Mike sticks his bottom lip out in a pout, and runs his hand over the ashtray, slamming it shut.

“My mom? No way. She’ll assume I’m dead, or out doing something I shouldn’t be doing. You know I’m not allowed in cars.” I need to shut up but can’t. ”She’s gonna get real worried pretty soon.”

“Should we let her go?” Mike glances at Pier, who shrugs. They’re not going to let me go. They’re going to keep me here. I want to go home. GOD, PLEASE HELP ME.

“Maybe,” Pier says. “Maybe not. It won’t be the same without her. Maybe we should keep her.” I look past him to the door handle. It’s miles away.

“Angie, I’m just kidding. We’ll take you home right now. I’m not gonna DO anything to you. I just don’t want you to go yet, that’s all.” Pier tilts his head at me.

“I know.” I lick my lips. “I mean I know you’re just kidding.”

“You scared of us?” Pier pokes my nose.

“NO.” I stared at the dashboard. The radio dials are lime green.

“Then why are you shaking?” Pier takes my fingers and holds them up. He turns on the overhead light. My fingers are in front of my nose. They’re raw around the nails and slightly chapped at the knuckles.

“I’m not shaking. I’m just not that steady. You should see me try to do Calligraphy in art class. Mrs. Rorden thinks I drink coffee all day long.” I pull my hands away and look out the windshield. I can feel Pier’s smile.

“You’re a party pooper, young lady. You sure you won’t reconsider?” Mike turns off the light, and glances over my head toward Pier.

“I can’t. It’s not that I don’t want to hang out with you, but my mom…. It’s such a drag, ya know?” I glance once more at the door handle and let out a sigh.

“Yeah, okay. Pier and me will just go off together all alone and celebrate all by our poor little selves.” Mike sticks his lip out again, knocks me in the shoulder, and starts the car.

“You’re always running off huh?” Pier puts my fingernail up to his mouth and chews on it.

“I’m sorry.”

Mike pulls into the library parking lot and does a three sixty, pointing the front of the car toward the bridge. He parks where there are no lights, so my mom won’t be able to see me get out of the car.

“Did you have fun?” Pier rubs his thumb across my knuckles.                 “Yeah, I did. Thanks for taking me.” My voice doesn’t even crack, which makes me happy for the rest of the night.

“Then I’ll be seeing you.” Pier purrs in my ear. “Real soon I hope.” And he kisses me on the cheek.

“Okay, yeah, good. Bye. Bye Mike.” I leap out of the seat, and onto the black top.

“See ya, Ang,” Mike says, and I turn around to see Pier leaning against Mike’s car with his chin in his hand, staring at me as I walked.

“I love you,” he sing-songs after me.

“Don’t lean on the caaaar!” I hear Mike say, as I step up on to the curb of the bridge.

*****

The cops come back; this time to inspect the contents of our barn. They say they’re searching for something, though at first, they refuse to disclose any details. I can see the rear end of one of them, as he digs through my mom’s boxes of art supplies. He comes up with a small slip of paper, looks it over very carefully, and shoves it in his pocket, as if it were the treasure he’d been searching for his whole life.

From the dog fence, we watch them scrounge through our belongings like a bunch of greedy old women at a garage sale. It takes them quite a while to get through all our stuff. My mom collects everything under the sun.

I believe my mother must collect things for security purposes. She’s worried, I think, that if she gives anything away she’ll be giving part of herself away.

There are stacks of picture frames in all shapes and sizes, bits of colorful fabric, broken mannequin parts, boxes of Christmas ornaments, half fixed lamps, shelves of china, carved wooden wall decorations, figurines, old toy trucks, furniture, glass vases, assorted plates and tea cups, weird old lady looking jewelry that was ugly as sin, but supposedly collectable, books, and drawing paper to last a life time

To add to the odds and ends, are Mick’s car parts, electrical widgets, and discarded record albums cluttered at one end of the barn. Phil’s fishing poles, lure boxes, guns, traps, and ten speed bike line the far wall, while my own cubby-hole near the stairs, is filled with boxes of old dolls, stuffed animals, letters, and journals.

Mick leans against the fence, patting Banetta’s head through the wire. Phil seems only vaguely interested, and only perks up when one of the cops accidentally knocks over a box of photographs, full of serious looking people taken at the turn of the century.

My mom looks tired. She holds the search warrant the cops handed her when they came whizzing into the driveway like a bunch of lunatics—nearly running Phil over as he stood near the barn stretching out his fishing line—and crumples it between her fingers.

Out on the street an audience has gathered to watch us watch the cops. They talk among themselves and get comfortable. The Andello’s sit on their porch and stare over at us, most likely whispering to each other about how much trouble we’ve turned out to be as tenants.

When the cops finally come out of the barn—a mere forty minutes later—they’re wheeling Phil’s ten speed bike. They stand the bike up on its kick stand, and tell my mother that they suspect her of being the ring leader in a series of stolen bike escapades.

“What did you say?” I think my mother is going to explode.

“You’re our prime suspect in the explosion of bicycle thefts that have happened over the last six months. We’ve been staking your house out for weeks. I wouldn’t consider leaving town anytime in the near future, if I were you.” The holds up a strip of pink paper (a receipt for paint) and shakes it.

“I can’t believe this.” My mother’s hands are beginning to shake. I’d seen this happen before and it wasn’t a good sign. “I can’t believe you’re standing in my driveway, holding onto my son’s bicycle, and telling me I’m a thief.”

“Well that’s what we’re telling you. You can believe it or not.” The cop swings his Billy club over to one side of his hip, and straddles the bike.

The cop’s theory, as we learn later, runs something like this: my mom sent my brothers and their friends out during the day to comb the streets for bikes. They’d hit the apartment complexes first, then rummage around the near-by side streets, to see if any unsuspecting little twerp had left his bike out. Then at night they’d go back out to the locations they hit during the day, and bring back any bikes they found to the barn, where we then all gathered together as a family, to repaint them for resale.

Supposedly my mom had a good thing going too because the cops said there was an astronomically high number of stolen bike reports—more than they’d ever witnessed before.

The cops questioned my mom about recent purchases she’d made, advised her again not to leave town, told her to call a lawyer, and drove out of the driveway as quickly and as crazy as they drove in.

By nightfall the rumor has spread all over town, and starting around dinnertime, the phone begins to ring off the hook. Mr. Letty, Jason’s father, who’s a local politician, tells my mom to sue the police station. He says they don’t have a leg to stand on. After all, he reminds her, a receipt for a can of paint—out of the house of an artist—and a bicycle, aren’t enough evidence to convict anyone, even a serial killer. She nodds as Mr. Letty talks, but I can tell she’s really upset.

It is a few days before she leaves the house. She seems to go on a vacation indoors. I come home from school and find her  rifling through closets, boxes, old papers and photographs. Dressed in her sweats, she sits on the floor and throws out nearly everything she comes across.

“Ma,” I say, “what’s wrong?”

“Nothing, sweety. I’m just tired.” She smiles and sips her tea, while I tug at my eyebrows. “It’s just finally time to off-load some of this junk!”

“No one cares about what the cops say. I mean they dropped the case didn’t they? They didn’t have any proof. Ma, no one thinks you’re guilty.” I wait until she smiles again before I take a breath.

“I know honey. Don’t worry. There’s nothing wrong, really. I’m not worried about the cops.” Patting my arm, she resumes her purging, and asks me how my day was. I eventually wander out into the kitchen and stare at the refrigerator, wishing I never had to grow old.

Science Fair

Aug. 15, 2009 No Comments Posted under: Scripts

Science Fair

From “Best of” EstroFest


Characters: Principal Elliot, Yolanda Youst, Susie Jenks and Jenny Hooper

Props: Small table, (or podium) one chair, lunch box filled with rocks, fossils, a Cheetah, a turtle, a frog. Susie: Atom hat and Mt Savuvious. Jenny Hooper; Poop farm (dried looking poops which I made out of clay, in various sizes on board)

Costumes: kid-like outfits

Scene: Bush-Heights elementary school science fair. Principal Elliot announces science fair. All students sit off stage left a bit, in chairs, to wait their turn to be called up.

Principal): (Coming from standing SR,) Good morning everyone. Welcome to Bush-Heights elementary school science fair. (Start applause, so audience will join in.) For those of you who don’t know me—all you good boys and girls and parents—I’m Principal Elliot. And I’m thrilled to be able to announce our science fair finalists. So to get started, I’d like to introduce our first finalist, from Mrs. Filbert’s class, Yolanda Youst.

Yolanda walks up to front.

Y: Hello (ME). My name is Yolanda Youst. I am a third-grader in Mrs. Filbert’s class. (Taking lunch box and setting it on small table.) I love animals and rocks and fossils. And I have done extensive research on these items. I have brought a few examples of my favorite items.

Y: (Pulls out rocks.) This is a rock. It’s gray. (pulls out second rock,) This is a rock too, but it’s dark gray and swirly and shiny.

Still fidgeting. Crossing legs.

(Pulling out turtle.) This is a Sea turtle. Sea turtles bury their eggs under the sand and then walk away from them. I don’t know why. There are people who come and steal the baby turtle eggs. I hate them.

(Pulling out a frog.) This is a tree frog. They have sticky-out eyes. My friend Doreen says her cat has sticky out eyes, but I don’t believe her. The only time I’ve ever seen a cat with sticky out eyes, is when you know how you grab them by their tail (who motion of spinning a cat,) and spin them around really fast.

Principal Elliot interrupts. Yolanda!

Y: What? Well anyway, Doreen lies a lot, but I like her anyway because her mom always buys cool pops.

Grabs crotch

Y: (to Principal Elliot) I have to go to the bathroom…

Principal: (Nodding and looking embarrassed) Please continue, Yolanda.

Y: (Pulling out a fake Cheetah.) Okay. This is a Cheetah—my favorite animal in the world. It can run up to 70 mph. But there’s a problem: it’s inbred. I didn’t know what inbred meant so I asked my mom but she walked away from me. So then I asked my dad and he said something about Clyde NY, but I told him that Cheetahs don’t live near here…

P: Yolanda…

Y: Anyway, because of this inbreeding, the Cheetah’s skull isn’t right. Scientists say that one side of their brain in bigger than the other side. Here’s an example of what the Cheetah’s brain might look like (squeezes squishy animal thingy.) Anyway, I love Cheetahs even if they are inbred and have uneven skulls. That’s it. (Sits down.)

Principal: Thank you Yolanda (starts applause.) Now we’ll bring up Susie Smith, from Mr. Walker’s science class. Susie?

Susie walks up to desk with her atom hat on.

Susie: My name is Susie Jenks and this is my atom hat. Protons and Neutrons mover really fast around a Nucleus and make things happen. (She is also holding Mr. Savuvious.) And this is Mt. Savouvious. My mom told me to do two projects so that I’d get extra credit and beat everyone else….Mt. Savuvious is a mountain in Italy. My dad said that Mr. Savuvious is just like my mom cause you never know when it’ll explode…

Usually the audience is laughing here, so Susie looks worried and stops talking. She is freaked out and stares, like a deer in headlights…

Principal: Susie? Susie honey, do you have more to say?.

Susie just stares and looks scared.

Principal (walking over to her.) Oh, dear that’s okay. Everyone gets a little stage fright. Have a seat. (Turning to audience and getting them to applause while she helps Susie sit down.)  Okay, dear. Now we still have our last finalist, Jenny Hooper. Jenny?

All this time, Yolanda is sitting there having to pee

J: (Walks right up front) I’m Jenny Hooper. I live on a farm on Route 5 near Thumper Road. Our house is the one that has the big silo out back, with the red smiley face painted on the side. I wanted yellow, but my dad said he hated yellow because it reminds him of the horse stalls after…

P: Jenny, please.

J: Okay. My project is a dung farm. Not many people realize the good things about dung. A lot of different kinds of poop are used for different things. Some poop, like cow poop, is good for planting things. You put it in the dirt and it makes things grow. We use it all the time when we plant our corn field because we have so many stupid cows. They’re like everywhere. There are cow patties all over our yard. Sometimes my brother Hal steps in it, and then walks through the living room. My mother screams, ‘damn it Hal!’

P: Please Jenny…

J: Anyway, this (pointing at next pile) is dog poop. It’s not good for anything much, but I wanted to show the difference between cow poop and dog poop. These are rabbit turds. Rabbit turds are small, and hard, like a bee bee. Once Hal put a rabbit turd in his bee bee gun and shot our neighbor, Tommy Ringer right in the ass

P: Jenny!

Yoland: (raising her hand.) Mrs. Elliot, she said ASS!

Susie: Ass, ass, ass, ass ass..

P: Jenny!

Jenny: Anyway, the last pile here is bird poop. I think it was from a pigeon, but I’m not sure, cause I just scraped it off my dad’s car. It’s white, not brown. But I don’t know why.

She doesn’t say anything more. So Principal Elliot has to guess that she’s done.

P: Is that all Jenny?

J: (Shrugs, as if it should be obvious,) Yeah.

P: (in pain,) Then say thank you to the audience and take your seat please.

J: Okay, thank you. (Walks over to chair and sits down. Shows her underwear, etc.)

P: (Really relieved that it’s finally over with.) And that, ladies and gentlemen, concludes Bush-Heights elementary school science fair. Thank you for coming and for your patience. We are really proud of our science students. (Start applause again.)

When lights start going down, we hear Yoland say: “Mrs. Elliot, I have to pee.

Cinderella gets a backbone

Aug. 15, 2009 No Comments Posted under: Scripts

Cinderella gets a backbone

From “Best of” EstroFest


Characters: Cinderella: wimpy, girly. Stepsister: Darwella: mean, frumpy. Stepmother: big, loud, cold. Fairy godmother: From New Jersey.

Costumes: Cinderella wears pink prom dress with household items attached to it (sponges, spoons, underwear, a used tea-bag, etc,) and tool belt with dust mop and various other “household” cleaning items in pockets. Fairy godmother, has a “magic” bottle, and wears a tutu, tights, a tank top, roller blades, helmet, and knee and wrist guards. Stepsisters wear bad prom dresses, ridiculous jewelry and hair styles. Stepmother: leopard print, silver tanning shield, sunglasses.

Props: Laundry basket, HUGE underwear, magic bottle, Jolt cola, chips, black bird, notebook, necklace, bench, chair, small table, silver tanning shield, cucumber slices for SM’s eyes while tanning.

Tech: Music on entrance, music on fairy Godmother entrance. Lights up as Stepsisters leave.

Scene: Opens with Cinderella SR, sitting on bench. Stepsister is behind her, taunting her, pulling at her hair and dress. Cinderella sits taking it. Stepmother off SL sitting in chair.

Stepmother: (looking across stage, stands up,) Too bad you can’t go to the ball, Cinderella. But you see your clothes are unacceptable. But don’t fret. Hee, hee, hee. I’m sure there will be another ball next year. Darwella, let’s get going. We don’t want to be late for the ball!

Darwella: But mother, it won’t be the same without Prunella.

Stepmother: Well dear, perhaps we can sneak her out of the clinic, just this one time…(giggles and heads off SL)

Darwella: Oh goodie! (To Cinderella,) Oh, stop whining. Did you think you could go to a ball! Look at those roots. Get a life. This wouldn’t have happened if you hadn’t taken my beads in the first place. Try eating something, Twiggy! (starts to leave SR,) I’m great, you suck, I’m great, you suck.

C: (Standing up from bench, puts on tool belt.) Boo, hoo. Mumble, sputter. Boo hoo. I wish someone would help me. Just for once, I want something to go right in my life. Please anyone, help me.

Hear a beep, beep, as fairy godmother enters through house on roller blades. She hits the stage, and climbs up step. Skating around, she talks to Cinderella.

F: So, uh, what seems to be the problem? Now there’s no guarantee that I can help you, mind, because I’m just getting over a cold, but I’ve been on a vacation, so I feel rested enough to at least try. Where’d you go?

C: (Startled) Who…..who…who… are you?

F: (Seeing her and skating toward her.) Who am I? Who am I she wants to know. I’m your fairy God…(starts to fall,) oh, God, Godmother. Yeah, I know, I don’t look like a fairy, but, hey, you can’t judge a book. So enough with the formalities. Now that the introductions are over with, what seems to be the problem? Warts? Stomach ache? What are you a little bound up? Don’t tell me: let me guess. Let’s see, um, I know, you want a new job. Sick of the old one. Man, I know that feeling. Sometimes I wish I could do something else, ya know, like cooking in a nice restaurant or something….

C: No, I don’t even have a…

F: Okay, relax. It was my first shot. (Looking more intently at Cinderella) Hmm. Let’s see now. You look a little, ah, beat up, if you’ll excuse the expression. Hey! I know this lady: does a great job. Massage, facial, body mud, toe wax—the whole 9 yards. You want I should send you over?

C: No. That wouldn’t help. Believe me. It’s worse than that.

F: No? Ah, that’s what I was afraid of. (Skates over to Stepmother’s chair and sits down. Pulls out notebook and pen.) Okay, go ahead I’m listening. (She snacks on the chips and cola as Cinderella talks.)

C: Well, see, my stepmother and my stepsister are really mean to me. They make me do all the housework, and still find more for me to do just when I think I’ve finished. And they won’t let me go anywhere. I’ve never seen anything outside my fence, except through my bedroom window, which is way up in the turret—the coldest and highest part of the house. (Pulls at her dress,) Look what they did to me tonight. I was planning on going to the ball. I wanted to dance. Boo hoo. (Resumes sobbing again.)

F: So what have you done to get yourself out of these conditions?

C: What?

F: What have you done to help yourself?

C: Help myself? How? I mean what could I do?

F: Well, uh, I don’t know. You could say…LEAVE AND GET A JOB!

C: A Job! You mean like a paying job? Doing what?

F: oh I don’t know. Seems like you clean pretty good—if I’m understanding you correctly. Got a lot of—what do call it—experience in that department. Maybe you could become a cleaning lady—pays pretty good too. I did it for four years—got me through school that way.

C: Well even if I wanted to do that, I couldn’t because my stepsisters wouldn’t let me. They watch me all the time, and they hit me!

F: Yea? hit em back.

C: Excuse me?

F: Hit em back. Look, try this (stands up and drags Cinderella CS.) Take a cup of water—preferably salt water, but if you can’t get a hold of any salt, just plain water will do. Then throw it in the one’s face! You with me? And then while she’s trying to clear her vision, punch the other one. But make sure you tuck your thumb down when you swing or you might break the damn thing right off.  In other words, don’t swing like a girl, got it?

C: I’ve never hit anyone or anything in my life! I can’t hit them! I might hurt them!

F: (Looking totally disgusted. Mumbling) You might hurt them. (Getting a little agitated.) Okay, dolly, what is it that you think you need? Huh?

C: Well, just a chance. You know. I really want to go to this ball. So maybe a new dress, and well, I mean look at my hair! I can’t go to the ball looking like this! And my nails are a wreck, and……

F: How bout a backbone?

C: A what?

F: A backbone, sister. Ever hear of one? You don’t need a new dress, or hairstyle, or a nail job. All them things will get you is a roll in the back seat of some guy’s Chevy Malibu. What you need is—what we call in fairyland—a good solid set of nuts.

C: What?

F: Nuts, you know, gonads, balls, cahona’s. Face it: you’re a wimp. A sobbing, sputtering victim

C: But….

F: But nothing. Not one thing is going to change in your life till you get a backbone. Here, I got something to tell you. Plant it over here (drags her back to bench and has her sit down.) This here worked pretty good for Snow white. Disney don’t tell you the whole story. See after little Miss White came to, she got a hold of some of this stuff (holding out magic bottle,) and took revenge on her stepmother. Best way too. Made good on the stock market. Bought that witch’s whole estate: castle, torture chambers, winery—everything. But we got to get you started somewhere, so here, give it a shot

C: What do I need to do?

F: What do I need to do, she asks. DRINK IT! Not all of it. Just a little at a time.

C: What will happen?

F: Good news. Not much in the side-effects department. A little ogida maybe, but you won’t get diarrhea or anything.

C: But, I mean, what will I do? Will I turn mean?

F: (sarcastically) Oh like you couldn’t use a little mean. Come on! You think all Disney characters are so nice? Disney’s movies are pretty violent, in case you haven’t noticed.

Cinderella takes a little sip. In the background, the stepsister enter. Darwella is giggling, and holding a laundry basket

Darwella:  (call Cinderella over.) Hey, Cinderella, get over here, I got something to ask you. (She giggles evilly.)

F: Here’s your chance. Go on over there.

C: Go over? What if she hits me or something?

F: Come on, I’m right behind you. And here’s the beauty part: she can’t see me, only you can. Come on, I’ll back you up. (Practice showing Cinderella a few boxing jabs. Ad-lib this.)

Darwella: Cinderella, I got something to ask you. Since I’ll be at the ball all night—partying and getting down—and you’ll be here all alone, I was wondering if you could maybe (pulling out enormous underwear and holding them up,) do a little laundry for me! She giggles and Cinderella punches Darwella. She falls and then Cinderella picks up the laundry basket and tosses it at Darwella as she cries and calls for her mommy.

C: (To Fairy godmothere,) Wow! That was so…

F: Incredible. I know. Good feeling huh? Nice right jab on the Princess Laya looing one. Now, on to bigger and better things. Go see the old lady.

Here a bell ringing. Stepmother calls from off stage.

Stepmother: Cinderella, were is my tea! I want my tea. (She enters and sits in her chair.)

C: My stepmother? Oh, no, I don’t think I’m up to facing her.

F: Look, you got the sister, now it’s time to up the ante. Go on! I’m right behind you.

They approach SL. Cinderella guzzles quickly and heads over to SM.

SM: Cinderella, were is my tea. What’s taking so long.

C: Yes, stepmother, I’m brewing your favorite: Earl Grey.

SM: Well hurry it up!

C: Yes, stepmother. But there’s something I want to tell you first.

SM: Well snap to it, I don’t have all day!

C: Yes, stepmother. Um, well you see, every night at around ten, Darwella hangs out the living room windows and shows her hooters to the stable boy—Prunella used to too, before she went into rehab. She leans way out over the garden, and her tits fall right out. (SM is shocked and stares at Cinderella.) I think he likes it too, because I’ve seen him sneak into each of her bedrooms, when he thinks you’re asleep. I put my ear up to their doors sometimes and I hear all kinds of strange sounds. There are all these grunts and woofs, and Stepmother, what does “spank me mommy I’ve been bad,” mean?

(Stepmother passes out cold.)

Cinderella leans down against stepmother’s chest to make sure she’s not breathing. She takes her pulse and then grins evilly. She grabs fairy godmother, and kisses her square on the mouth. Then she snatches the bottle from the Fairy, guzzles it, screams, “This is mine!” and runs off stage, through the house and out SL doors.

F: (Looking out at audience) I’ve created a monster. But hey, it’s like my grandmother always said, and she was a very poignant woman—Masters degree even—“all you need in this life is some backbone. The rest is just pure manipulation.”

Lights down.